Me, Tom, Fran and Jacob planned to play 'Awful things' by Lil Peep.
Choices of repertoire
Jacob, the day before the concert, asked me and Tom to play guitar and bass to back up his singing for a performance of 'Awful things' by the late Lil Peep.
Rehearsal process
I rehearsed alone over night, as I had only known I was performing that song the day before the concert. On the morning of the performance, Tom, Jacob, Fran (who was now doing drums) and I got together in the theater to practice the song. We only had time to go over the track a few times, but we were able to get the timings for the song right and work out how we wanted to start and finish the song. We were ready.
Evaluation of performance
The actual performance ended up being very challenging. Without any warning, our singer didn't turn up for the performance. Pulling the plug on the song was heavily considered at this point. However, the show must go on, and with the help of my friends Rhiana and Lucy, who volunteered to sing, we were able to play the song to the best of our ability.
I feel my performance was overall very consistent, something that reflects the simplistic nature of the song which only requires the same three notes to be played at any time, with their being only two different note patterns to play. However, I stopped playing bass a little bit to early at the end of the song.
Relate it to your target tracker and the progress it demonstrates
I have shown progress in my live performance skill as, as a musician, I have had very little experience with performing on stage in front of an audience. I feel that this showcase certainly helped me build my confidence. The piece was not very complicated, so acts as a good starting point for my goal to learn more complected, higher grade songs on bass.
Wednesday, 22 November 2017
Tuesday, 7 November 2017
Chords and roman numerals.
General chords and chords on bass guitar.
In music, an augmented triad is a triad, or chord, consisting of two major thirds (an augmented fifth). The term augmented triad arises from anaugmented triad being considered a major chordwhose top note (fifth) is raised, or augmented. It can be represented by the integer notation {0, 4, 8}.
In music, a diminished triad ( Play (help. · info)), also known as the minor flatted fifth (m♭5), is a triadconsisting of two minor thirds above the root — if built on C, a diminished triad would have a C, an E♭ and a G♭. It resembles a minor triad with a lowered (flattened) fifth.
In music theory, a minor chord ( play D minor chord(help. · info)) is a chord having a root, a minor third, and a perfect fifth. When a chord has these three notes alone, it is called a minor triad. Some minortriads with additional notes, such as the minorseventh chord, may also be called minor chords.
The I–V–vi–IV progression is a common chord progression popular across several genres of music. It involves the I, V, vi, and IV chords; for example, in the key of C major, this would be: C–G–Am–F. Uses based on a different starting point but with the same order of chords, include: I–V–vi–IV, C-G-Am-F (optimistic)
In music, an augmented triad is a triad, or chord, consisting of two major thirds (an augmented fifth). The term augmented triad arises from anaugmented triad being considered a major chordwhose top note (fifth) is raised, or augmented. It can be represented by the integer notation {0, 4, 8}.
In music, a diminished triad ( Play (help. · info)), also known as the minor flatted fifth (m♭5), is a triadconsisting of two minor thirds above the root — if built on C, a diminished triad would have a C, an E♭ and a G♭. It resembles a minor triad with a lowered (flattened) fifth.
In music theory, a major chord ( Play (help. · info)) is achord that has a root note, a major third above this root, and a perfect fifth above this root note. When a chord has these three notes alone, it is called a major triad.
In music theory, a minor chord ( play D minor chord(help. · info)) is a chord having a root, a minor third, and a perfect fifth. When a chord has these three notes alone, it is called a minor triad. Some minortriads with additional notes, such as the minorseventh chord, may also be called minor chords.
The I–V–vi–IV progression is a common chord progression popular across several genres of music. It involves the I, V, vi, and IV chords; for example, in the key of C major, this would be: C–G–Am–F. Uses based on a different starting point but with the same order of chords, include: I–V–vi–IV, C-G-Am-F (optimistic)
Evaluation of first class solo performance
I was given the task of preparing a solo performance to prepare and perform in front of my class. I was given the time over half term to prepare.
The song I chose to perform was 'Snow (Hey Ho)' by The Red Hot Chili Peppers.
The baselines for the song primarily focused on fingering techniques which Is something I feel I am comfortable with in my own bass playing.
I would not regard the song as a particularly high level song as it did not use more advanced techniques such as slap.
Performing as a soloist was something I found very uncomfortable. I have perform in groups on stage, but never as a soloist so the aspect was very new to me. Having the pressure of being the entire focus of everybody's attention defiantly had a negative affect on my playing and as a result I made a few mistakes during my performance,
Overall, I feel I could massively improve my solo performance skills through more practice and by getting more confident with the idea of being the focus of attention on stage.
Wednesday, 18 October 2017
Evaluation of Performance 17/10/2017
Me and my classmates, Leah, Tom and Manon performed the song 'Vultures' by John Mayer.
We performed this song in the Worthing college Slight Theatre.
We were able to play the piece in time, and perform with confidence. Communication was good in the group during the performance, for example we all looked at each other to signify when we were going to finish.
The lighting set we chose, for whatever technical reason, was not used during the performance, but that didn't hinder us in any way.
The amps we used were weak, next time we would use better amps.
Personally, I feel I performed well, if we had had more time to practise I would have elaborated the bass I played for the song however what I did play for the performance, although it was simple, did work well for the performance.
My performance preparation could have been better if I had practised more.
Overall I was happy with the performance, however to further develop myself as a performer I will in future practice more before a show.
We performed this song in the Worthing college Slight Theatre.
We were able to play the piece in time, and perform with confidence. Communication was good in the group during the performance, for example we all looked at each other to signify when we were going to finish.
The lighting set we chose, for whatever technical reason, was not used during the performance, but that didn't hinder us in any way.
The amps we used were weak, next time we would use better amps.
Personally, I feel I performed well, if we had had more time to practise I would have elaborated the bass I played for the song however what I did play for the performance, although it was simple, did work well for the performance.
My performance preparation could have been better if I had practised more.
Overall I was happy with the performance, however to further develop myself as a performer I will in future practice more before a show.
Wednesday, 11 October 2017
Unit 385 Improving Instrumental Performance
Unit
Title: 385 Improving Instrumental Performance
Assessment criteria
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Research
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Milestones
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Performance & Evaluation
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1.1 Undertake activities relating to the efficient
operation of their instrument in context, including an analysis of personal health
and safety issues and risks in relation to the demands of their instrumental
playing and performance.
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1.2 Demonstrate analytical understanding of the
personal instrument and equipment choice.
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2.1 Analyse own current instrumental skills in
relation to personal goals and devise an action plan (to be agreed with the
tutor) relating to the achievement of the personal goals, including:
a) personalized practice plan detailing strategies
for the improvement of specific skills
b) regularly evaluate progress through peer/tutor
critique to inform their ongoing review of the practice plan
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At least four
examples of tutor or peer feedback together with the performance being reviewed and your thoughts on them and how they may inform your next steps.
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3.1 Over an agreed study period, demonstrate
developmental progression as an instrumentalist in:
a) technical ability
b) dexterity
c) stamina
d) control of the instrument
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3.2 Review the progression in 3.1 citing at least
two areas for development, revising the timeframe for achievement.
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RSL Music Practitioner diary entry 1
RSL Music Practitioner diary entry 1
A summary of my musical journey
From as far back as I remember, Music has
always played a big part in my life. Some of my earliest memories included
watching music videos on MTV in the lounge with my family. The one video that I
remember vividly was the music video for Duality by Slipknot which was realised
in 2004, I would have been 4 at the time.
However it wasn’t just music videos that
influenced my early taste in music, my Mother always used to play songs by
Tracy Chapman and Yazoo in the kitchen and my Dad would often play Metallica or
Pearl Jam in the car. This all led to me having a very mixed taste in music,
which is useful as now I can appreciate aspects of all genres of music.
In year 4 I was attending West Park middle
school, and in this year my Mother signed me up to take Drum classes. I would
go on to take Drum classes until year 9, when I decided the classes were no
longer helping me progress as a drummer. It was during this year of High School
that I and some friends had started our first band, we would practise almost
every lunch time and although we never had anything going for us musically, the
whole thing was a lot of fun. I was entered as part of a School band into
‘Skoolfest’ which was an annual concert for schools. My group played one song,
and I was awarded ‘Best drummer’ on the day.
My friends and I continued our lunch time
practising until, as the pressure of exams built up, we just started to do our
own separate things. High school finished and I ended up applying for Worthing
College.
During my first year of college, I started
to build an interest in bass guitar. This was due mainly due to the work of
famous bassist such as Slipknot’s Paul Grey who I found absolutely captivating
in the way they performed live. Everything about the instrument appealed to me
although at the time I was not even very aware of how the instrument worked.
Eventually, on the 25th of November 2016, I bought my first bass guitar.
I started to practise bass guitar every
single day, a ritual I still continue, and with a lot of determination I found
myself starting to pick up the basics and start to play simple songs. As my
skills began to develop, my older brother put me in contact with a friend of
his who was a bass teacher and before long I started private bass lessons, now
I have one bass lesson every two weeks.
Altogether, the influences developed from
listening to multiple genres of music from an early age is what has led me to
want to pursue a career in music. For this reason I dropped History A level in
my second college year, instead joining the course in RSL Music
Practitioner.
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